A Symposion of Praise: Horace Returns to Lyric in Odes IV by Timothy Johnson PDF


By Timothy Johnson

ISBN-10: 0299207447

ISBN-13: 9780299207441

    Ten years after publishing his first number of lyric poetry, Odes I-III, Horace (65 B.C.-8 B.C.) lower back to lyric and released one other e-book of fifteen odes, Odes IV. those later lyrics, which compliment Augustus, the imperial kin, and different political insiders, have frequently been handled extra as propaganda than paintings. yet in A Symposion of compliment, Timothy Johnson examines the richly textured ambiguities of Odes IV that have interaction the viewers within the communal or "sympotic" formula of Horace's compliment. Surpassing propaganda, Odes IV displays the finely nuanced and innovative poetry of Callimachus instead of the traditions of Aristotelian and Ciceronian rhetoric, which propose that compliment may still current in general admitted virtues and vices.  during this means, Johnson demonstrates that Horace's software of competing views establishes him as Pindar's rival.    Johnson exhibits the Horatian panegyrist is greater than a based poet representing merely the wishes of his buyers. The poet forges the panegyric schedule, starting up the nature of the compliment (its mode, lyric, and content material either optimistic and negative), and calls jointly a neighborhood to hitch within the production and edition of Roman identities and civic ideologies. With this insightful examining, A Symposion of compliment can be of curiosity to historians of the Augustan interval and its literature, and to students drawn to the dynamics among own expression and political strength.

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Extra info for A Symposion of Praise: Horace Returns to Lyric in Odes IV (Wisconsin Studies in Classics)

Example text

But Horace varies the seriocomic format within the stanza pairs. In the first he balances the serious and comic by offsetting life’s pleasures and difficulties: there are good and bad circumstances (1–2), happiness is tamed by mortality (3–4), and there may be sadness as well as the joy wine gives (5–8). Then at the end of the song this careful balance vanishes. The comic is suppressed; everywhere Dellius faces death and separation from all that he loves. This shift is not a total surprise since the sympotic description that divides the stanza pair is far from carefree: flowers fade fast (13), and the party lasts only as long as the fates allow (15–16).

Horace’s sympotic invitations do not recommend a retreat into a private world of personal contentment. The sympotic Horace is a persona of initiation and engagement that invites individuals to share life together. Sympotic Horace’s Epic Criticism Horace’s epic criticism is one constant within the diversity of his poetry. Whatever turn his career takes, Horace never entertains the possibility of composing an epic. He will not be Vergil. ) that the poet should keep the sacrifice fat (to; me;n quvo" o{tti pavciston), the Muse slender (th;n Mou'san .

Caesaris Augusti. All of this is thematic old hat. What is distinctive about the autobiography is that at this stage in a lengthy poetic career (about twenty years) and well into Augustan rule, one might expect some expressed reconciliation to the Augustan achievement. Any conciliatory tone is missing and is replaced with a conqueror-subject matrix. The poet colors his history with Augustus with the language of military domination and exile (emovere, 46; dimisere, 49; impulit, 51; praedantur, 55; eripuere, 56; tendunt extorquere, 57).

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A Symposion of Praise: Horace Returns to Lyric in Odes IV (Wisconsin Studies in Classics) by Timothy Johnson

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